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	<title>A Peek over my Shoulder - From the Drawing Board of Susan Donley &#187; Recommended Reading</title>
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	<description>What&#039;s on my drawing board and on my mind</description>
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		<title>Concentration or Automation: What do you think about when you draw?</title>
		<link>http://petspictured.com/wordpress/2008/08/concentration-or-automation-what-do-you-think-about-when-you-draw/</link>
		<comments>http://petspictured.com/wordpress/2008/08/concentration-or-automation-what-do-you-think-about-when-you-draw/#comments</comments>
		<pubDate>Tue, 05 Aug 2008 18:41:26 +0000</pubDate>
		<dc:creator>Susan Donley</dc:creator>
				<category><![CDATA[About me]]></category>
		<category><![CDATA[Art Musings]]></category>
		<category><![CDATA[Art Technique]]></category>
		<category><![CDATA[Drawing exercises]]></category>
		<category><![CDATA[Recommended Reading]]></category>

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A visitor to my booth last weekend asked a very interesting question: &#8220;When you draw, do you have to concentrate, or it is automatic for you?&#8221; I answered her then, but have continued to think about it since: Meta-thinking about thinking while drawing, I guess!
My answer to my visitor&#8217;s question:I concentrate, thinking harder at critical [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://petspictured.com/wordpress/wp-content/uploads/easel-close-up01.jpg" alt="Close-up of easel showing graphite drawing and scratchboard" border="0" width="406" height="469" align="left" style="padding-right: 1em" /></p>
<p>A visitor to <a href="http://petspictured.com/wordpress/?p=57">my booth</a> last weekend asked a very interesting question: &#8220;When you draw, do you have to concentrate, or it is automatic for you?&#8221; I answered her then, but have continued to think about it since: Meta-thinking about thinking while drawing, I guess!</p>
<p><strong>My answer to my visitor&#8217;s question:</strong>I concentrate, thinking harder at critical points, like sketching in all the features; not as hard during more repetitive tasks, like texturing and shading. But its not verbal thinking: &#8220;Now its time to draw the eyes: first draw a circle for the pupil, then the iris, now the eyelid&#8230;&#8221; </p>
<p>Rather, I think visually, following a line with my eyes while my hand tracks the same line on paper. I look for the shape of &#8220;empty space&#8221; between parts of a face. I compare the lightness and darkness of colors to match them with my shading pencil strokes. None of this happens with words, which often get in the way.</p>
<p><strong>My thoughts since then:</strong>I easily get totally absorbed in doing art, to the point of not being aware someone is talking to me. Or that several hours has passed.When demonstrating drawing in front of a class, invariably my voice trails off partway through. It&#8217;s nearly impossible to maintain verbal communication while focusing [ahem] intently on producing art. Betty Edwards noted this phenomenon 25 years ago in her classic book <a href="http://www.amazon.com/gp/product/0874774241?ie=UTF8&amp;tag=pepidocaanbia-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0874774241">Drawing on the Right Side of the Brain</a><img src="http://www.assoc-amazon.com/e/ir?t=pepidocaanbia-20&amp;l=as2&amp;o=1&amp;a=0874774241" width="1" height="1" border="0" style="border-width: initial !important; border-color: initial !important; border-style: none !important; margin: 0px !important" />.</p>
<p>I&#8217;ve had entire classes of elementary kids go totally silent 15 minutes into a art lesson while working intently on their art. I&#8217;ve never been a subscriber to the &#8220;noisy artroom&#8221; philosophy, for the very reason that it&#8217;s impossible to focus, but never found it necessary to enforce silence if students were motivated and engaged.</p>
<p>Yet I enjoy listening to audiobooks and podcasts while working on my art, just as I enjoy listening when I drive. But when it comes time to do something tricky, like parallel parking or driving through an unfamiliar city, I turn off the audio, so I can concentrate.</p>
<p>Similarly, if I&#8217;m several hours into a drawing and things are going well as I repetitively build up texture and shading, I can listen in on a conversation and even mumble a few words. But for a full-fledged conversation, I have to stop &#8212; I can&#8217;t pay close attention to someone talking and drawing at the same time. No wonder &#8212; what&#8217;s the most important thing we do to show someone we&#8217;re listening? Make eye contact! Can&#8217;t do that while drawing!What do you think about when drawing? Any chance of doing art on autopilot?</p>
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		<title>USAToday: Attention to lighting can make a huge difference in your photos</title>
		<link>http://petspictured.com/wordpress/2008/07/usatoday-attention-to-lighting-can-make-a-huge-difference-in-your-photos/</link>
		<comments>http://petspictured.com/wordpress/2008/07/usatoday-attention-to-lighting-can-make-a-huge-difference-in-your-photos/#comments</comments>
		<pubDate>Thu, 24 Jul 2008 12:38:46 +0000</pubDate>
		<dc:creator>Susan Donley</dc:creator>
				<category><![CDATA[People Portraits]]></category>
		<category><![CDATA[Pet Portraits]]></category>
		<category><![CDATA[Photo Tips for Portraits]]></category>
		<category><![CDATA[Recommended Reading]]></category>
		<category><![CDATA[How-to]]></category>
		<category><![CDATA[Photography]]></category>

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		<description><![CDATA[Jefferson Graham&#8217;s article &#8220;Attention to lighting can make a huge difference in your photos&#8221; yesterday in USAToday&#8217;s Tech section summarizes some great advice from Scott Kelby&#8217;s Digital Photography Book. (There&#8217;s also a video on this page of Graham showing how to get the best lighting for your photos in the summer sun.)
After sifting through hundreds [...]]]></description>
			<content:encoded><![CDATA[<p>Jefferson Graham&#8217;s article &#8220;<a href="http://www.usatoday.com/tech/products/2008-07-22-photo-tips-lighting-camera_N.htm">Attention to lighting can make a huge difference in your photos</a>&#8221; yesterday in USAToday&#8217;s Tech section summarizes some great advice from Scott Kelby&#8217;s <cite>Digital Photography Book</cite>. (There&#8217;s also a video on this page of Graham showing how to get the best lighting for your photos in the summer sun.)</p>
<p>After sifting through hundreds of photos people send me as references for pet and people portraits, I couldn&#8217;t say it better than the headline of this article: If you want to vastly improve your people or pet shots, pay attention to lighting. Don&#8217;t just &#8220;Point and Shoot&#8221;, in spite of what the camera manufacturers say, instead: &#8220;Think, Look, Point, and Shoot&#8221;! </p>
<p>Among my <a href="http://www.petspictured.com/faq/photos.html#topfive">Top Five Tips for Taking Portrait-Worthy Photos</a>, two involve lighting: Turn off the flash and avoid direct sunlight by taking your subject in bright shade.</p>
<p>The USAToday article includes these among Scott Kelby&#8217;s five concise tips for improving your photography by improving the lighting. As far as portraits go, I&#8217;m not sure I agree with his tip &#8220;Shoot into the sun&#8221; though. Even when using fill-flash, this can be pretty tricky to pull off. Try it, for sure &#8212; backlighting can be very dramatic &#8212; but hedge your bet by taking some other shots in bright shade, which is a sure thing.</p>
<p>I have several of Scott Kelby&#8217;s many books (does the guy ever sleep?) on photography, Photoshop, and Mac OS X and I highly recommend them for their practical approach, clear instruction, and great tips spiced with humor. The books that were the source of USAToday&#8217;s advice are <a href="http://www.amazon.com/gp/product/032147404X?ie=UTF8&#038;tag=pepidocaanbia-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=032147404X">The Digital Photography Book</a><img src="http://www.assoc-amazon.com/e/ir?t=pepidocaanbia-20&#038;l=as2&#038;o=1&#038;a=032147404X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /> and it&#8217;s companion <a href="http://www.amazon.com/gp/product/0321524764?ie=UTF8&#038;tag=pepidocaanbia-20&#038;linkCode=as2&#038;camp=1789&#038;creative=9325&#038;creativeASIN=0321524764">The Digital Photography Book, Volume 2</a><img src="http://www.assoc-amazon.com/e/ir?t=pepidocaanbia-20&#038;l=as2&#038;o=1&#038;a=0321524764" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />. <a href="http://www.amazon.com/gp/search?ie=UTF8&#038;keywords=Scott%20Kelby&#038;tag=pepidocaanbia-20&#038;index=books&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325">More of Scott Kelby&#8217;s books here.</a><img src="http://www.assoc-amazon.com/e/ir?t=pepidocaanbia-20&amp;l=ur2&amp;o=1" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>
<p>I&#8217;m not a photographer, but I offer a free email mini-course &#8220;Taking Portrait-Worthy Pet Photos&#8221; that offers tips I&#8217;ve learned the hard way by taking my own pet photos and depending on my client&#8217;s photos to draw and paint pet and human portraits. <a href="http://www.petspictured.com/faq/photos.html#topfive">Free free to sign up and learn along with me</a>!</p>
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